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Bulletins Story:
HIGH COURT BRINGS AN OASIS OF CALM TO GROUP
DISPUTE
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Date: 13.01.2003
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Many observers of the music business will by now have heard that
the one time member of Oasis, Tony McCarroll, has failed in his
attempt to sue his former solicitors. This claim was brought
after he had settled his dispute with Oasis over his expulsion from
the group in April 1995. His failure to sue his solicitors
successfully was for technical reasons due to his delay in bringing
the claim. The result is not of groundbreaking legal
interest. However, the claim does illuminate the important
issue of ownership of a group’s name and touches upon how members
of a group and their advisers should organise their
affairs.
McCarroll’s argument was that his solicitors had failed to
advise him properly about his relationship with the other members
of Oasis. He also argued that he had not been advised
properly about ownership of the name of “Oasis”. He
maintained that the wording of the recording agreement combined
with the lack of a written partnership agreement meant that the
members of the group (other than Liam and Noel Gallagher) were
vulnerable to instant dismissal without
compensation.
The dispute turned partly on what was said by Oasis’ solicitor
when he took the group through their recording agreement before
signing. It also turned on whether his solicitor should have
advised McCarroll and the others to enter into a written
partnership agreement.
McCarroll said that the implications of certain clauses in the
recording agreement were not adequately drawn to his attention and
they created a conflict of interests between the group members. The
Gallagher brothers, McCarroll argued, were being wrongly
favoured. He complained that the solicitor should have
advised him to secure independent advice and should have advised
all the members of the group to enter into a written partnership
agreement: had they done so, the agreement would have
provided a suitable mechanism for dealing with a member leaving or
being expelled. As it was, the group were operating as a
partnership at will and McCarroll was vulnerable to being expelled
from the group without notice or compensation.
The judge noted that the name Oasis had been owned by the
members of the band in equal shares, prior to entering into the
recording agreement. But the effect of entering into the
agreement was that McCarroll lost his share of rights in the
name.
The solicitor concerned denied all of the allegations of
negligence. He also disputed what was said when he took the
group through the recording agreement. In the event the judge
did not need to make a decision on these issues. He ruled
that the McCarroll claim was barred because it had been brought too
late.
Much time and expense has been devoted to arguing about what
happens to a group’s name when a member leaves or the group splits
up. This is an issue that can be dealt with relatively
quickly and cheaply at the beginning of the artists’ career by
entering into an appropriate form of agreement. It is notable
how few such agreements are entered into. This is probably as
much to do with a reluctance to incur additional professional cost
as with the unwillingness of group members at the beginning of
their career to address some tricky issues about what might happen
further down the road. Advisers will have to consider carefully if
they should draw the attention of a group to the desirability of
entering into a formal partnership agreement in order to address
some of these issues.
At present, most artists expect to enter into a management,
songwriting and recording agreement. If they are not solo
artists, then a partnership or shareholders agreement may become an
equally critical part of their portfolio of business
agreements. One crucial element of that agreement will be how
to deal with matters if one of them leaves.
Julian Turton and Stuart
Barry
13 January 2003
147
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